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 reflections from the first workshop

29/7/2015

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 Some intriguing possibilities.

About developing a personal voice. KISS principal – just keep it interesting. Invent, create the illusion.

Work should reference other staff – e.g., the plinth in 2001.
Entertainment won't work – needs some conceptual input.
Symbols – what things mean – as soon everything an artist chooses has meaning.

Worst thing is to be too literal!

  • Think about words that may go with something.

  • Negative space
  • aspect ratio
  • visual language – cinema grading filters

Pickup influences where ever you can find them.

 Check post war realism from Italy
http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Neorealism-HISTORICAL-ORIGINS-OF-ITALIAN-NEOREALISM.html
Mix of freedom from fascist censorship and the privatisations of war. Frequent use of outdoor sets and nonprofessional actors. Seems to give a more gritty dimension. 

 thinking about the possibilities

 how to display work? – Online/projection/Check for digital frames/possibility of interactivity?

Kiosk style? Can Keynote provide interactivity or just movement – test turning into a movie file? Post in comments

Could iBeacons be used? All visitors interact through iPhone app? Bluetooth?

 Movement – reference Edward Muybridge – Telematics?? – Marcel Duchamp – why not a urinal descending a staircase?

Week 2 exercise
Try timelapse?
Focus pulling – post-it notes appearing on screen
a connected life??? Questioning phone use – always online – no time for life
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EXCEPTING Blog entries on other photographers, or where otherwise noted, all original images copyright - All Rights Reserved, Graham Taylor