things into follow-up
How colours come out of the camera. RAW max possibilities. Digital colours - most trouble with reds
find Series. The Genius of Photography -
Work at life scale - trad photos too small
Most top art photographers think big
In terms of composition make sense to combine a number of settings eg Bahrain Grand Prix
Camille silvie? French photog earlier
Sally Mann - colloidal process
Create a world that feels subjective
Try to rise above the limitations of digital
Mabelline New York- Nigel - how to be bold - video
Reality and non-reality - all about perceptions - about hyper reality
Think about face - break down
Skin takes time
Need to make fine selections
Actions - textures - on Internet
Dove action!
Can change destructive and non- destructive
Smart Object mask invert
Highlights - add new blank
Blend mode - multiply
In brisk
I - samples tones
Opt averages tones
Cmd opt shift E - merge and new layer
.https://unisadigitalphotography.files.wordpress.com/2012/05/366-2001s.jpg
La poupée (the puppet) c.1938-39
How colours come out of the camera. RAW max possibilities. Digital colours - most trouble with reds
find Series. The Genius of Photography -
Work at life scale - trad photos too small
Most top art photographers think big
In terms of composition make sense to combine a number of settings eg Bahrain Grand Prix
Camille silvie? French photog earlier
Sally Mann - colloidal process
Create a world that feels subjective
Try to rise above the limitations of digital
Mabelline New York- Nigel - how to be bold - video
Reality and non-reality - all about perceptions - about hyper reality
Think about face - break down
Skin takes time
Need to make fine selections
Actions - textures - on Internet
Dove action!
Can change destructive and non- destructive
Smart Object mask invert
Highlights - add new blank
Blend mode - multiply
In brisk
I - samples tones
Opt averages tones
Cmd opt shift E - merge and new layer
.https://unisadigitalphotography.files.wordpress.com/2012/05/366-2001s.jpg
La poupée (the puppet) c.1938-39